PRACTICES, POWER & THE PUBLIC SPHERE: DIALOGICAL SPACES & MULTIPLE MODERNITIES in Asian Contemporary Art 
an online showcase curated by Maya Kóvskaya
 

 

RESCUE CONDITIONS

by Carrie Shipers

 

 

Like fairy tales, my mother’s stories were meant
to order the world: Once, there was a fourteen-
year-old girl, a windshield, a barbed wire fence.
Once, there was a man your father knew,
a gravel road, a cargo rack, a passenger
pinned like a frog. 

                                 I used to imagine myself
victim of more benign emergencies:
a fainting spell at school; a car accident
with no injuries except one long, dramatic cut
that wouldn’t scar; my head hitting the gym floor
so hard no one would let me move.  I wanted
to be rescued from what wasn’t my fault,
the stretcher and straps a glass coffin to bear away
my blameless body.  Instead, I was bitten
by a poisonous spider.  I broke my ankle,
caught bronchitis, was dehydrated by the flu.
I lived by the rules my mother made:
Wear your seatbelt.  Stay away from guns.
Don’t drink or take rides from people who do.
Lie to me and you’ll be sorry.

                                                Always, I heard
warnings she wouldn’t say: If you die in pieces
on a dirt road it takes two hours to find; if you slit
your lover’s throat and try to slit your own,
trailing blood all over the house; if you fall down
in a cornfield and no one knows till you start
to rot—don’t make me be who finds you.
I never said how much I needed to be found,
to feel her gloved hands holding mine and know
she’d save me even from the ending I deserved.

 

 

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