PRACTICES, POWER & THE PUBLIC SPHERE: DIALOGICAL SPACES & MULTIPLE MODERNITIES in Asian Contemporary Art 
an online showcase curated by Maya Kóvskaya
 

 

OCTOBER

by Theodore Worozbyt

 

 

On that lawn each morning a little girl’s sandal rests in the grass. Today the flip-flop for weeks became a pink gellie, the color of my skin disease, but lighter. The white truck gassing mosquitoes just whined by in the dark, convincing no one. I wonder, as if to say goodbye, if the driver has a newspaper on his bench seat. I just got bit. After Labor Day, the ice cream van that played the theme from“The Sting” and Bach fugues stopped making its crawling rounds. I just now noticed it gone. Soon it will be summer again, I believe for a moment. Vampires are cool. That’s why they are so cool. I could explain everything, will be my last joke. My arrangements are not up to date. I prefer Basie’s. The rumor around the mill village is that a nuclear scientist haunts my house. I have denied nothing. I like to look at salt even more than I like to use it, it is so clean and chaste, making the heavy water lighter, lighter than the sea that drained from his scalpeled cheek in the midst. That shoe, later it got rained on, almost sweetly, but too late.

 



Return to table of contents.